D2 brings back to life all the quirky, idiosyncratic noises, pleasing grit, grind, thickness, overtones, and harmonics without any ear-piercing shrillness. and this helps ease the pain of buying and selling those beasts. I owned them all - Emu, Akai, Roland, Sequential Circuits, Ensoniq, etc. The technological limitations (low sample rate, bit depth, etc.) of vintage samplers helped to create their charm. It boasts several new features, improvements, and extra control over the bit crushing process. If you’re an existing customer, check out your user account for a cool discount voucher.Decimort-2 by d16 Group is even more fantastic than it’s predecessor. Secondly, all of D16 Groups plug-ins are multi-touchable and so a larger GUI helps with getting your fingers on those controls.ĭecimort 2 is a VST, Audio Unit and AAX plug-in in 32-bit and 64-bit versions and is available now for €39. At the flick of a switch you can blow up Decimort 2 to a more usable size. This is very helpful for two reasons, firstly that with the arrival of 4K screens and ultra, super, hyper resolutions on all sorts of screens and devices some plug-in GUI’s are becoming rather tiny.
One surprisingly useful new feature is that it has two GUI sizes. Add to that a pair of analog style filters, MIDI learn on all parameters and 64-bit internal processing and you’ve got one interesting sound mangling machine. You can also control dithering to further mistreat your audio. There’s adjustable jitter which can introduce short, random fluctuations to the resampling frequency and two quantisation methods to bring flavourful dynamic responses. The other controls the amount of aliasing above the resampling frequency. One removes all harmonic content above the cut-off to ensure that no aliasing appears in the audio. Beyond the familiar controls of bit resolution and sampling frequency they include two anti-aliasing filters. Bit crushing is a very common effect, you find it all over the place, but D16 insist that the Decimort 2 has a lot more to offer.
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